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The 2014 London International Antiquarian Book Fair at Olympia

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For a couple of days every week I work for a large provincial antiquarian bookshop as a cataloguer and general helper. This is entirely separate from my running of Callum James Books which is why I don't mention it very much here, nor do I ever mention their name on this blog. However, one of the things this role enables me to do is to attend book fairs, in particular, the London International Antiquarian Book Fare currently going on at Olympia, not as a visitor but as an exhibitor with the shop. The fair is about as 'high end' as it gets in bookselling and everyone exhibiting has to be members of the Antiquarian Booksellers Association or, the international equivalent if they are coming in from overseas. But it is open to the public and if you have an interest in books, no matter what your budgetary constraints (more on that later), it is absolutely, one hundred percent worth the price of admission.

For the largest London and International dealers this is bread and butter work for them: an international round of book fairs in London, New York, San Francisco and elsewhere keep them occupied a lot of the time and they use these occasions not so much as a place to sell books but as a venue for schmoozing their best customers, networking and making contacts. In amongst these big players are tens of other though, very often they are respected dealers who work on their own from their own homes and have no shop front except, these days, the Internet and, a few times a year, a major fair. There are also a smattering of exhibitors like ourselves who still cling onto existence as a bricks and mortar bookshop.

Setting up on the Thursday morning is always something of  high-wire act. The fair starts at 2pm and everything on the stand has to be preened and ready for the public by then, we arrive into the drive-in section of the hall at 10.30 and unload 15 crates of books from the van. If you've ever been to sell at a card boot sale you will understand what I am about to say, as you cram all those crates into the small area of the stand, about the same number of dealers crowd in with you, like the walking dead, mumbling to themselves, and each other, trying hard to maintain the semblance of dignity whilst actually making a grab for almost every book as it comes out of the crates to go onto the shelves to check it out and see if it's a sleeping bargain. It's a strange ritual in which even the most high falutin' of bookdealer must descend, just for a moment, into the world of grubbing around for things to buy and sell. We usually say that if you haven't made a profit on your fair costs by the time it opens, you are in big trouble. This year, we sold a third edition of Jane Eyre for just under £2,000 and a few smaller items but not enough to cover the costs and I won't deny that our spirits were actually a little down as the doors opened and the queue (which stretched round the block almost) began to pour in. More on our fortunes later...

There are two brilliant things about this fair: the books and the people. Being tied to a stand for most of the day isn't an ideal way to see the gems in the hall but be assured there are gems. For three days some of the rarest, most beautiful and most important books, manuscripts and related items still 'in the wild' anywhere in the world are all gathered into one place. I was walking down one aisle and happened glance at a scrap of paper in a glass cabinet and saw a scribbled note signed "M"... for Mozart. There is a tiny notebook in which Aleister Crowley scribbled pornographic gay poetry. There is a soldier's snapshot photograph album with photos of Lawrence of Arabia and another album of photos of a young Alfred Hitchock on holiday... including one in which he is playing tennis in a dress! There are staggeringly beautiful maps and wonderful pieces of ephemera. The stand opposite ours has a letter by Siegfried Sassoon and a copy of the libretto of Peter Grimes signed by both Britten and Peter Pears (come to think of it, on our stand there is a limited edition of The Children's Crusade signed by Britten). The hall is stuffed to the glass dome with museum quality items and they are there to be looked at and handled. There is no end to what you can learn just by wandering the aisles.

And then there's the people... another source of learning. Unlike the objects at the fair, the people move around and even when you are staffing a stand you get to meet the most amazing variety of people and as a general bookseller, you learn much more from them than from any number of reference works. Yesterday I had a long conversation with a gentleman who collects rare and important books on Golf, there was a discussion with a completist collector of Lewis Carroll, a rare books librarian from a UK university came and chatted and shared his incredible knowledge of private press books (and bought a sumptuous copy of The Chamber Drama by John Guthrie at the Pear Tree Press for his library) and so on... all day long the procession of people continues, contacts are made, knowledge is exchanged. It's nothing short of thrilling.

So what of our fortunes. Well, yesterday it seems, our conscious decision to take affordable books (by which in this context I mean books in the £50-£150 range) appeared to be paying off. Smaller book after smaller book was selling quite steadily and so it all began to add up. Today, when I was replaced by other staff for the day, I hear they did very well and sold our beautifully boxed copy of Ulysses by James Joyce as well as a number of other items and so we are now well into profit on the cost of the fair and should we have a similar kind of day tomorrow, it will go down as a good one.

So, another early start, driving up tomorrow morning (now in fact that should read, later this morning - in about five and a half hours time!) and another day of talking non-stop, meeting some wonderful people and hopefully contributing a little to that rarest of all book-things, a real-world bookshop.

I shall be tweeting as much as possible from the fair - if you don't follow me already then please do @CallumJBooks. If you are close enough, come and see us. We can even at this late stage find a complimentary ticket for you, just contact me through twitter if you'd like to come in for free.

Judged by its cover: A Boy's Own Story by Edmund White

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Here at Front Free Endpaper we do love a book with a good story behind it, and in this instance, a cover with a story behind it. This is Edmund White's classic and seminal story about growing up gay in America. It's a classic book for sure and catapulted White into the literary fast lane, rightly so, and if you haven't ever got round to reading it I can heartily recommend it. You might even catch White in the UK over the next few days as he is visiting the country at the weekend and next week.


This edition above is the first British publication by Picador in paperback but the cover image had already been used in the US. As well as being a very beautiful photograph, it is also a very evocative one, largely through its association with this book. There was a time when this book sat on the bedside table of every young gay man in the country. It came as no surprise to me to hear that the photograph was taken at Cape Canaveral which in my mind is always associated with big open skies and that sense of optimism that suffused America in the 50 and into the 60s with the space program and the advancement of science. The photograph was taken as the result of a chance meeting between the photographer Dan Weaks (sometimes Weeks) and Robert L. Rosen, the young man in the picture in 1982. The book came out the same year to wide and huge acclaim.


Things don't start to go pear shaped until two years later when finally a copy of the book makes its way somehow into the hands of one of Robert's schoolmates. As you might imagine, Robert wasn't made to feel too comfortable at Coral Gables High School in Miami when it transpired that his face as all over the cover of a bestselling gay novel. Inevitably legal action followed. Rosen had signed a model release form but, despite appearances, when the photograph was taken he was only 14 years old and so the 'contract' that a model release form sets up would have been null and void. A $30m law suit followed from the boy's father.


Sadly, because all this happened in pre-Internet days, details are scarce. It would be great to find out how the whole episode was resolved. I have tried to contact Weaks, still working very successfully as a photographer, but to no avail. Equally, it would be good to know now, at this distance of time and in this changed climate how the older Rosen, in his forties now presumably, might feel about the photograph, the book and its cover. Most likely these things will remain a mystery though. A Boy's Own Story in more than one sense.

(Thank you to the lovely Jack Cullen for the heads up about the story)

European Scouting Photographs: A Catalogue

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It's new catalogue time again. Today I've put out a catalogue of over 40 photos from the genre sometimes referred to as Scoutisme: a mid twentieth century style of photography that was used illustrating scouting magazines and books. The catalogue includes photographs by Karel Egermeier, Robert Manson, Jacques Simonot and a number of other photographers and studios.

The catalogue is available as a pdf only and can be viewed here:


UPDATE: This catalogue is now sold out but the pdf remains online for information.

Maya Angelou (1928-2014)

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This woman left an amazing legacy and a little bit of herself in my heart, not least because of this one poem which in its words and in her reading of them act upon the reader and make them a stand taller in their own skin. Do yourself a favour, turn up the volume, close your eyes and listen to Ms Angelou herself reading. RIP.

Callum James Books Photographic Catalogues

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The latest photographic catalogue of European scouting photographs was the third photography catalogues Callum James Books has issued. They have proved very popular and two of the three catalogues are now sold out. The pdf files remain online but all the photographs have found new homes. There are still some photos from the Authors and Others catalogue available. The success of the latest one was perhaps a felicitous thing as it marked an anniversary I completely forgot to mark, on the 26th of this month this blog has been going for nine years: hardly seems possible. But I'm always very gratified when I think of the number of very lovely people that this blog has brought to me from around the world who share some of my more obscure and niche interests.




A Pattern of People by John O'Connor

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I have a confession to make. Two weeks ago I didn't know who John O'Connor was. I probably should have done: a pupil of Ravilious and Nash, an illustrator of books and magazines with a fondness for lissome youths in woodcut format! But it is the way of these things that the universe throws things at you or, put another way "you wait two hours for a bus then three come along at once."


So last week I was blogging that I had bought a couple of artist proofs of O'Connor's work and how happy I was to have them. Then I was working at The London International Antiquarian Book Fair and the lovely people from York Modern Books opposite us had a beautiful Whittington Press book full of O'Connor's work that I was able to peruse and to see the details of the images that I had as my engravings. And then blow me down if yesterday I'm not clearing books from a lady's attic and discover the book above sitting on the top of a box showing the back cover which is another reproduction of one of the images I bought last week... so, three come along at once. Not only that, but it is a completely charming book with these full page woodblocks in a colour and black each accompanied by a reminiscence about growing up in the country. Enchanting stuff...





Eric Carle illustrates All About Arthur

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Eric Carle is best known as the author and illustrator of that children's classic, The Very Hungry Caterpillar but when I was browsing in the kind of bookshop where there are more books in boxes than on shelves earlier today I came across this charming later offering from Carle, All About Arthur (an absolutely absurd ape). It's an alliterative alphabet book in which each letter is illustrated with a photograph of a 'found' letter and a black and white illustration of one of the many animals Arthur meets. I had it in mind to spell Callum or James or Books but it transpires this copy is so tatty that the A and B page has been torn out: so you are left with just a few of my favourite pages.





Vintage Photos: You Win Some You Lose Some

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Well it's a fickle one the world of online auctions and you have those who live by the bid will die by the bid! ...or something like that. Two photos tonight, both of which I love. The top one arrived today and I think it is a thoroughly disarming candid portrait. Very happy to have won it. The photo below on the other hand I don't own. I love it for two reasons. First for the extremely handsome young man in the background and then just for its casualness and sense of fun which belies the fact that, although on first glance it looks like something from the 40s, if you click and enlarge and look at the calendar in the background you will see it is barely out of the Victorian period. I was so busy looking at the image and thinking how wonderful it was whilst I waited for the auction to come to its close that suddenly the page was changing in front of my eyes and someone else waltzed off with it for much less than I would have been prepared to pay! Grrrr...



More Albert Wainwright

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Albert Wainwright continues apace on the Internet. Thank you to Padraig for the heads up that led me to a selection of his work on a Japanese blog, many of which I had never seen before. I'm sorry there is no context to them, apart from the obvious such as where they come with the numbered pages that Albert put in all his sketchbooks. If you haven't yet seen our publication of his sketchbooks from the mid 1930s that document his relationship with a young chap called Otto then you can buy if from Amazon here. Thank you to those who have bought it, the book continues to sell pretty well.








Paul Klee by Insel-Bucherei

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We've had the brilliant creations of German published Insel-Bucherei on the blog before and, possiblyl because R is currently in Berlin, my eye is being caught at the moment by all things German. And whose eye wouldn't be caught by this amazing cover. The publishers are (for they continue to this day) renowned for the patterned paper designs on these book, of which there are over 1000 in the series. They are the same size and basic shape as King Penguins or Ladybird books but through an amazing series of covers they have cemented their own brand among similar types of book and become a fixture even in British secondhand bookshops. There was a shortlived attemped to Anglicise the brand with Zodiac Books but it didn't take off.

Eugene Sandow Plastered!

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Eugene Sandow, the man without whom (possibly) there would be no such thing as a gym to go to, has been an occasional visitor to this blog and Callum James Books even once reprinted an article about training with the great man himself. So today I have been sorting through some photography books and in one book on the history of the art form, these just jumped out at me and I thought you'd all appreciate my sharing. Oh the work of a bodybuilder is never done!




Book Catalogues

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The only thing I really collect these days for myself is bookseller's catalogues and bibliographical books where they coincide with my book interests. When you see me selling book catalogues it is only because they are duplicates to my own collection. So you can imagine my delight when two huge boxes of book catalogues from the likes of G. F. Sims, Jacqueline Wesley, Eric and Joan Stevens and numerous others arrived today. Perhaps the most exciting though was a small run (for there never were many) of catalogues by the elusive Michael deHartington (pictured above).These catalogues from the 1970s were so important for identifying and giving information about gay literature that David Deiss at The Elysium Press reprinted them in a fancy limited edition some years ago so that the information they contained could be more widely dispersed. Among the catlaogues is the legendary catalogue number three in which deHartington sold the collection of Uranian poetry that Timothy d'Arch Smith put together when he was writing Love in Earnest in the late 1960s. I've recently had the pleasure of handling some of the very copies of those books that d'Arch Smith had back then and that appear in this catalogue. I've had the Elysium Press facsimile publication for a while but I'm absolutely delighted to have a full set of the originals now. A happy series of evenings is now indicated reading and filing away this new and huge influx to the collection.

Jo Brocklehurst Postcards

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Jo Brocklehurst is not one of those names that springs immediately to the lips but a Google image search for her work and most people I would imagine, in the UK at least, will realise they have seen some. She was well known for her illustrations of the fashion and club scenes in the UK and Europe in the 1980s. Her work is slowly appreciating, with drawings now fetching in the mid- to high hundreds at auction. She died in 2006 and reading her Guardian obituary, or rather reading between the lines of the obituary, one picks up a picture of a sometimes difficult woman with an overriding passion for her work, someone who persevered in the life of a professional artists against quite some odds.

These three drawings arrived in postcard form this morning. From top to bottom they are titled, "Man in a Hat", "Boy in a Shower" and "Man in a Shower". The postcards were issued by a company called Gallery Five in 1981. There's something to be said for collecting modern postcards.

 

New Publication from Callum James Books: The Last Weeks

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It has been a little while since Callum James Books has issued a publication as I have been concentrating on sale catalogues of late, however, I'm delighted to be able to tell you about The Last Weeks. Urania from the Collection of Donald Weeks. Some of you may remember that when this famed collector and biographer of Frederick Rolfe Baron Corvo died, his collection was catalogued by Maggs Brothers and sold en bloc to the Brotherton Library in Leeds. A slice of that collection became detached in the probate process and that was catalogued by Callum James Books and eventually also rejoined the rest in Leeds. But there was another part of Weeks's collection. 
In the process of collecting Corvo he also amassed a handsome collection of Uranian material, much of it directly from the libraries of Charles Kains-Jackson, John Gambril Nicholson and S. E. Cottam. This part of his collection he dispersed before his death and in 1993 it was catalogued by Nigel Burwood of Any Amount of Books in London. At the time that catalogue was produced only in typescript as an aid to sale. The collection was sold as a whole to an American dealer who then distributed it among institutions and private collectors.
The catalogue is fascinating. Not only is it an insight into the libraries of three central Uranian figures, it also suggests links between them and more widely recognised cultural figures with letters and association copies and inscriptions from people like John Addington Symonds, Norman Douglas, Laurence Housman Henry Scott Tuke and so on. There are plenty of obscure titles to learn about here as well. If, like me, you enjoy a good book catalogue and if you have any interest in gay literature then you will want to browse through this booklet. We are very grateful to Any Amount of Books for allowing us to reprint their typescript in booklet form with 156 items catalogued in 32pp sewn into printed card covers. The edition is strictly limited to 60 numbered copies. There are two colours, dusky pink and pale blue, but there is no priority and unless there is a specific request they will be sent randomly.
The book costs 9.99GBP and postage is 1.50GBP within the UK: 4.00GBP within Europe and 5.00GBP to elsewhere in the world. Drop me a line if you would like one. Payment is usually handled through paypal.

 Just to be perfectly clear, this is NOT a selling catalogue but a reprint of a 1990s list for its inherent interest.

Vintage Photo: A Swimwear Tintype

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I have a bit of a soft spot for tintype photos because, despite their somewhat limited tonal range they often have a must sharper focus and show more detail than other photos of the period. Plus, as the photographic enamel chips slowly away, they often have a lovely 'aged' look to them as well.

Anyway, in this instance, I bought this one not just because of my soft spot for the medium but because of the young man bottom right, for whom I also developed a soft spot! The photograph is a mirror image because the technique used which means it takes a moment to work out that all the men have "H J Larkins" stamped across their chests: perhaps the sponsor of a swimming team? or the hirer of swimwear at a beach? or the owner of a lido?

August Derleth Vintage Paperback Jackets

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Every now and again, when I have a bundle of appropriate books, I like to have a mini-expo on Twitter of jacket or cover artwork that grabs me. Tonight's was from a bundle of vintage paperback editions of anthologies or collections put together by August Derleth. This is about half of those posted to Twitter tonight. If you would like to follow Callum James Books on Twitter search for @CallumJBooks.








The British Library at Brighton Museum

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Yesterday Russell and I went to Brighton. We do love the place for it's colour, food, antiques, queerness and as a general dose of culture on the south coast. The Brighton Museum is one of the best in the country for the decorative arts and they often have extremely interesting temporary exhibitions. So we used the Keith Vaughan exhibition currently showing there as an excuse for a trip along the coast. And the Keith Vaughan was, as always, fascinating and beautiful and a little sad... but these photos represent the book-related surprise of the day. This is a site-specific installation by Yinka Shonibare. It is in the Old Reference Library in the Brighton Museum and it was both fascinating and beautiful. Every book is covered in beautiful cloth (Indonesian design and Dutch manufacture) and each with the name of an immigrant to this country who has made a significant contribution to what we think of as British culture gilt stamped onto the spine. Obviously its an artwork with a 'point' but unlike many such pieces this is also beautiful and, because there is just so much external reference through the thousands of names, it becomes almost meditative and is a very long way from self-regarding as some 'political' art work can seem. The names are those of both the well-kown and the unfamiliar, among them: T.S. Eliot, Henry James, Hans Holbein, Kazuo Ishiguro, Zaha Hadid, Mick Jagger, Darcey Bussell, George Frideric Handel, Hammasa Kohistani, Liam Gallagher and Noel Gallagher, Amartya Sena, Anish Kapoor and many more. The installation is, of course, called "The British Library".
 





The Dark is Rising the Puffin Covers by Michael Heslop

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The first two covers in this post were a feature of my childhood. The books lay around the house for many years. I read them both but don't remember much about them except a dark, atmospheric brooding feeling that seemed associated with them, perhaps because of the artwork.  Maybe at the time I was given them I was a little too young but for some reason they didn't 'catch' at that point.

For the last month I have been voraciously reading my way through the series. I can't recommend them highly enough to anyone, young or old. The Dark is Rising in particular, (the whole sequence is called that but I mean the second book) is a masterpiece and if you have seen the dismal American film version don't be put off! The whole series is a children's fantasy sequence based on British and Celtic mythologies in a unique and imaginative way with some breathtaking courage in the storytelling throughout. Over Sea, Under Stone is perhaps intended for slightly younger readers but remains compelling and then the whole thing takes off with the rest of the series.

So, having had the first two books around for years and being accustomed to this montage-style of artwork on the covers by Michael Heslop, obviously the collector in me wanted to find the rest of these Puffin paperbacks with his covers on them. But I couldn't find anyone selling the last book in a Michael Heslop cover and, in the end, I was so desperate to read it that I gave in and ordered a copy that had the more modern reprint cover, which arrived this morning... and low and behold, it was the one I wanted in pristine condition... So, sometimes that Amazon lottery can work in your favour as well as against.





Unusual Vintage Family Photo

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I don't often buy vintage photographs if they don't relate to my interest in vintage swimwear but I thought this one was just so charming and unusual that I had to really. A turn of the last century family but in a highly unusual casual post. One of the boys is playing with his sisters(?) hair, another is sat grumpy on the grass, another lounges on the right. The women on the hammock is hamming it up somewhat and the older woman is a long way from the stiff Victorian matriarch usually seen in these family group shots. Really unusual and quite lovely for it. I have scanned it reasonably large for your delectation so please do click on it for a larger version.

Robert J Kirkpatrick and the Standard Work

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A while ago I put up on Front Free Endpaper a selection of illustrations from the covers of catalogues by Robert Kirkpatrick, the doyen of all things 'boys fiction'. All of the experience and knowledge of years of specialist bookselling went into two books, The Encyclopedia of Boys' School Stories (2000) and Bullies, Beaks and Flanneled Fools. An Annotated Bibliography of Boys' School Fiction 1741-2000 (2001) both of which I have known about and admired for a long time, both of which are regarded as 'standard works': there is something almost noble about the work undertaken to produce a good bibliography.

But it wasn't until very recently that I came across the above as Robert's latest massive piece of field-defining, standard-workery! From the Penny Dreadful to the Ha'Penny Dreadfuller. A Bibliographical History of the British Boys' Periodical 1762-1950. It seems I am a year or so late to the party and at the moment the British Library website says it has no copies ("other bookselling websites are available") but the recommendation from the judge of the Henry Darton Award printed at the bottom of the British Library web page I think makes it a must have item.
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