I don't usually like to link posts on this blog directly to what I'm selling elsewhere on the Internet but on this occasion it seems appropriate. I have a collection of 120 postcards, some which are featured here. They are currently, for the next week, for sale on Ebay.
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120 Postcards
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Australian Athlete
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Ian David Baker at The Photographer's Gallery
If you are in London at lunchtime on Friday then you might like to pop into The Photographer's Gallery for the second of their "My Favourite Photographs" ten minute talks. Photographer and friend of Callum James Books, Ian David Baker will be giving the short talk in the cafe at one o'clock, not about the photo above but about one of his 1980s images of MODs in Carnaby Street.
A while ago Callum James Books published a catalogue of photographs and artwork by Ian. Although the catalogue has now sold out you can still browse through it by clicking here.
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Jan Parker Illustrates Witchcraft and Black Magic II
Back in May I posted a selection of these images by Jan Parker for the Hamlyn paperback edition of Peter Haining's Witchcraft and Black Magic and I said at the time there may be more at a later point. I'm prompted to make good on that promise now because a number of people have now commented on that original post most helpfully providing information sorely missing in the first one. Most of it comes from Parker's Saatchi Art page in which we learn not only that Parker is still painting but that he still paints with an interest in the other side of the veil as it were. At the bottom of the page is a link to this reasonably recent interview with Parker about his involvement as the on-set artist with Kubrick's, 2001.
I'm grateful to Odyzeus, Alexandre Fernandes and to anonymous for taking the trouble to comment on the original post.
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Letterpress postcards by Clare Melinsky
R and I have just returned from holiday. We have been staying in a gloriously isolated cottage in the Glenkens area of Galloway in South Western Scotland. It was a magical and beautiful holiday and you will all be subjected to much more about it here in the next few days I'm sure but for the time being I wanted to share these great letterpress printed postcards I found. I found them in the The Working Print Studio in Kirkcudbright (pron: Ker-Koo-Bree) but they were actually printed at Robert Smail's Printing Works in the Scottish Borders. They are brilliant linocut designs by the illustrator Clare Melinsky who first came to my attention in 2010 when she designed a series of covers for a new issue of the Harry Potter novels in paperback. These designs though were specifically for postcards and were commissioned for the Pollock's Toy Museum in London.
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Mr Manhood and the art of Double Entendre
It may be that being named Mr Manhood is something that predisposes you to a life of double entendre and innuendo... which may explain why he called his only novel Gay Agony, which is a novel about none of the things you might imagine from the title, despite the fact that the action takes place in a small village called Thrust-on-the-Moor; I kid you not!. I've not read it but reviews online seem to suggest that you will either love it or dislike it, mainly on stylistic grounds. All agree that Mr Manhood is actually something of an overlooked talent in the world of the weird, supernatural story, his first collection of which he called... Nightseed!
And why am I telling you this? Because when away in Scotland recently I paid a visit to Wigtown, Scotland's National Book Town and whilst there had occasion to see this fetching mug which, of course, I just had to have.
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A 1930s New York Guide
As you might imagine, being in Wigtown, Scotland's National Book Town, for my birthday recently resulted in quite the pile of books in the back of the car and one of them was the New York City Guide from 1939. A really interesting book that doesn't shy away from the seamier side of life in the metropolis. It is illustrated not just with b/w photos but with some brilliant b/w artwork too which will be featuring here in the near future. For the time being though, what's not to like about a book that shows us both 1930s Art Deco skyscrapers but also young men in vintage swimwear about to throw themselves into a river!
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A 1930s New York Guide II
The 1939 New York City Guide that I mentioned in yesterday's post is not just illustrated by photographs. Far better, in my view, is the illustration work. All of the illustrations I've scanned here are by the same artist (there is more than one artist at work in the book) but I don't know who they are. There is a monogram which looks like a capital L and then another inverted L next to it so I assume they are by someone with the initials LL but if anyone out there in the wonderland that is the Internet can shed any light on them that would be appreciated. I've really enjoyed these for their dark and brooding quality and the slightly macabre sense of proportion in the design.
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New Catalogue from Callum James Books: The Old Stile Press
Callum James Books and the Old Stile Press have been friends for years and so it is an absolute delight to be able to present a catalogue which contains not only a selection of their 'in-print' books direct from the Press, but alongside that a collection of material now out of print and a large collection of artists' prints created by the press over the years.
Since the beginning of the Press in the 1980s they have issued a strong selection of homoerotic material and it is vein of their work which is represented in this catalogue.
The catalogue is only available in digital form and can be viewed here:
I really hope that you will discover something new and exciting here even if you already know the Old Stile Press. Details of how to order can be found on the first page of the catalogue.
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John Piper illustrates Benjamin Britten
I have never met a piece of work by the 20th century British artist John Piper that I haven't really liked, and I am currently reacquainting myself with the work of Benjamin Britten. How serendipitous then when I discovered these two music scores for two of Britten's Canticles. There are others, all with covers by Piper but I don't have these. In clearing a house today these just leapt off the shelves at me.
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Denton Welch in Digital Format
Denton Welch is one of those novelists whose work you read, sink into, marvel at and just live through and then, if you are like me, put them away for a while and every few years go back to them and have the same wonderful feeling of discovery and renewed appreciation. For me, Forrest Reid is another novelist in this category. The rather fun Galley Beggar Press is producing what look to be decent editions of Welch's three novels as a start in their Digital Classics series. Their blurbs are also very good. If you are happy reading digital books and you haven't read him then there's no recommending Welch highly enough and, if you have read him before... is it time that you, like me, slipped back into his world again?
Galley Press blurbs below their covers
‘I don’t understand what to do, how to live’: so says the 15-year-old Orvil – who, as a boy who glories and suffers in the agonies of adolescence, dissecting the teenage years with an acuity, stands as a clear (marvelously British) ancestor of The Catcher In The Rye’s Holden Caulfield.
A delicate coming-of-age novel, shot through with humour, In Youth Is Pleasure, has long achieved cult status, and earned admirers ranging from Alan Bennett to William Burroughs, Edith Sitwell to John Waters. ‘Maybe there is no better novel in the world that is Denton Welch’s In Youth Is Pleasure,’ wrote Waters. ‘Just holding it my hands… is enough to make illiteracy a worse crime than hunger.’
When Maiden Voyage was first published in 1943 it was an overnight sensation, and so graphic in its depiction of adolescence and the schooling system that Welch’s publisher – Herbert Read – was forced to seek legal advice. Seventy years on, there is little to shock the modern reader – but more than enough to earn a new generation of fans and admirers. William Burroughs said, “If ever there was a writer who was neglected, it was Denton. He makes you aware of the magic that is right beneath your eyes.”
At the age of twenty, the novelist Denton Welch suffered a cycling accident that left him partially paralyzed; the injuries that he sustained were to leave him in almost constant pain for the rest of his life, as well as bestowing upon him the spinal tuberculosis that would kill him at the age of 33. A Voice Trough a Cloud– increasingly regarded as Welch’s masterpiece – is his account of this accident and the period of convalescence soon after. The unsparing chronicle of the world of a hospital patient – riddled with anger, boredom, almost unbearable stabs of pain and sharp flashes of humour – A Voice Trough a Cloud is, as John Updike wrote in The New Yorker, “An incomparable account of shattered flash and refracted spirit.” His third and final novel, and written at a point when Welch could write for no more than a few minutes a day, A Voice Trough A Cloud is nonetheless possibly one of the most complete accounts of health and mortality; as Edmund White says, it is a book of “long slow dying”, “through which all the world’s strangeness can be perceived.”
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Frank Meadow Sutcliffe: 1901 Rowing Crew
Frank Meadow Sutcliffe is a turn of the last century photographer best known for his study of a group of naked boys in the harbour at Whitby called "Water Rats" and two or three other similar photographs. Flicking through a book of his photos today I came across this handsome bunch: a Whitby Friendship Rowing Club crew in 1901. And for completeness I shall tell you that they are, from left to right: J, Pearson, T. Henderson, A. Thompson, J. Howard and seated is their cox R. Coulson.
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Carrots by Jules Renard
In May this year I blogged about the story of Robert Lynen, an exceptionally brave young man who fought in the French Resistance during World War II. I came across his story because of a postcard of him in his pre-war role as a film actor in a film with the Dutch title of Peenhaar, or Red Head. I was delighted then to come across this book in a shop this morning, Carrots by Jules Renard, the first and only English translation of the original novel on which Lynen's film was based.
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My Husband Went to Berlin...
So, you may have noticed that I have been away a while. My best friend and I have been away in a cottage in North Devon and very lovely it was too. And whilst I was away R also went off on his own and spent a few days in Berlin. Being the lovely husband he is, he couldn't walk past this display of Insel-Bucherei books in a Berlin bookshop without taking a photo for me and buying a few to bring home to titillate my love of patterned paper with. It's not the first time the wonderful covers of this innovative German publisher have featured on Front Free Endpaper. For those in the UK, these books are rather like grown-up Ladybird Books, board covers in patterned papers with paper labels on the spine and upper board, contents usually cultural and artistic. Just delicious!
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Between the Hills by Leonard Clark
I'm of the opinion that almost every secondhand bookshop of any size also contains rare books. I don't say valuable rare books mind, just rare ones. On a recent trip across the water to the Isle of Wight I was combing through the poetry section of the very good Ryde Bookshop and came across this pamphlet: Between the Hills by Leonard Clark (Stockwell, London: 1924). It is in parlous condition but it turns out also rather scarce not being found in the British Library nor for sale online.
I've had an idea for a long time that I'd like to put together either a collection or a handlist or something based around the idea of 'books by boys'. It's not a very developed idea but it's been around for a while. There are a number of problems, two of which are illustrated by this book. The first is that books don't have the age of their author on the cover, finding them relies on information which is often relegated to the preface or dustwrapper or sometimes not mentioned at all in the book; in this case we are enlightened by a Preface which begins, "These poems, written by a boy of eighteen..." The second issue is that such publications are often ephemeral and small: in this case we can gauge the nature of the publication because the publisher, Arthur H. Stockwell, was essentially a vanity set-up, hence the book is so scarce today. So, for these and many other reasons, my project may not really take off for a while but whenever I see something that relates I either buy it or note down the details.
This book is charming. It begins with a lovely 'Author's Note' - "I desire to thank my foster-mother, who, all my life, has been my best friend..." but the collection also has a slightly more poignant note from it's dedication to "The memory of William Thomson George who died for England, October, 1918." George was a 25 year old Private in the Machine Gun Corps and, when he died, the author of these poems was only 12 years old: I have yet to discover the relationship between them. The short Preface is by F. W. Harvey (1888-1957) a soldier and poet of WW1 and a well-established regional poet who became known as "The Bard of Gloucestershire". This World War One theme is continued on and off through the short collection and it is notable, even though this book was published in 1924, how the effect and repercussions of The War were still strong in the mind of a young and impressionable boy like Clark.
Clark went on to become a 'grown-up' poet publishing several more collections in the 1940s including two with The Fortune Press, he was an anthologist as well with a particular interest in creating poetry for children. As well as a poet he was a teacher and sometime school inspector. His poems are, like F. W. Harvey's, very grounded in the Gloucestershire countryside and in particular on the Forest of Dean where he grew up. A series of autobiographical reflections on his childhood were published in 1965 as, A Fool in the Forest and I'm much looking forward to reading it and getting more of a sense of the man, the boy, his life and his writing.
There is always more to discover in this job and if any of you lovely people out there in the world of the Interweb should happen to know either more about Mr Clark or indeed, have any suggestions to add to my list of 'books by boys', I'd be delighted to hear from you either in the comments below or in my email inbox using the link to the top(ish) right of this page.
I expect Front Free Endpaper will see more of Leonard Clark yet but, for now, let's hear the eighteen year old Clark speak for himself:
THE STATUE SPEAKS
(CINDERFORD WAR MEMORIAL)
I am the soldier. Here I lonely stand
And keep my watch, because you planned
It so. I hear the country-people's feet
Go echoing in the Market Street.
"Am I e'er cold?" No chillier now than when
I knelt in mud with other men
Or shivered as I felt them drop -
And so I stand upon this granite top.
Weep not for us, but pray that you
May live more wholesome lives. We knew
How sweet life was - and yet we died.
I here - they slumber side by side.
I am your soldier. Here I proudly stand
Firm as an oak in this our Forest land.
November, 1923.
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Travel Posters at Swann Auction Galleries
A stunning collection of twentieth century travel posters is about to go under the hammer at Swann Auction Galleries in New York. And when I say it's 'about to' I mean in about two hours time. It's the collection of an anonymous Australian collector and so there is a strong representation of Australian posters but they really are from all over the world. There are nearly 200 posters and I have just gathered a few here that appealed to me but it's quite a catholic collection in terms of style. There is an accompanying Ebay Live auction which, if you are here in time you can follow here and browse the rest of the images.
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The Printing Art of George Ratcliffe Woodward
The phrase "Private Press" is used to cover all manner of ventures. If anything seems to fit the description properly, these wonderful booklets by George Ratcliffe Woodward (1848-1934) must do surely. Each sports the proud words on the front "Privately printed at 48 West Hill, Highgate Village", Woodward's home, presumably printed by the retired Vicar himself on a press in the back room somewhere. As a hobbyist he is really very good and whilst I say they are 'proudly' printed, in fact, one of the reasons these booklets are so appealing is their humility. Each is a few pages of beautifully set type sewn into buff card covers. Among the collection I have he stirs into coloured type only once and that is for the little booklet of Christmas carols. All the texts are verses or translations of verses by Woodward himself and yet, true to his calling, he presents them with restraint and not a little dignity. These are all printed well into Woodward's retirement in the late 1920s and early 30s but during his active life, as well as a parish clergyman, Woodward was a musicologist who edited numerous collections of church music with a particular emphasis on Carols.
I have had and enjoyed this little collection for a while but it wasn't until I stumbled on the description of one of them them by another bookseller that I discovered they even contain a little gay interest. One of these booklets contains a couple of translations by Woodward of same-sex oriented love poems by Christophe Ballard, part of the 17th century section of a family dynasty who pretty much had music publishing sewn up in France for seven generations. This is one I like:
AN ADMISSION
j'ayme un Brun depuis un jour
Long I've loved a nut-brown youth;
For beauty, none above him.
He requites my love, in sooth:
Be not astonied if I love him, I love him.
He in wisdom doth excel;
More sweet than she who bore him,
He can keep a secret well:
No wonderment if I adore him, I adore him.
Pale of cheek I wax apace,
When absent he sojourneth:
But when I behold his face,
My colour as before returneth, returneth.
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James Cummins Halloween Catalogue
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Dennis Wheatley, you can't give him away... or can you?
There was a time when Dennis Wheatley's first editions were very sought after or, in a phrase I hate with a passion, "highly collectible". Most of his books have never been very expensive, although my 2010 copy of R. B. Russell's Guide to First Edition Prices suggests that his 1930s titles might be worth a few hundred pounds, but for years, those reasonably inexpensive firsts were the staple diet of a provincial bookshop. Not any more. He's dead in the water. Don't get me wrong, I don't think they're bad books, I have very fond memories of a long summer as a teenager in which I hoovered up the whole of the Gregory Sallust series and all the black magic books. I suggested on Twitter the other day that finding a pile of Dennis Wheatley books in the middle of an otherwise decent lot of books is the bookseller's equivalent of a gardener finding Japanese Knotweed growing under your shrubbery! And it happened to me. A lot of books I bought for other things happened to include a big load of Wheatley, not many are first editions, some have great covers, some are ex-library but not all, the condition is mixed. So, let's see if it really is true that you can't give this stuff away...
On Tuesday next week I am donating these to a charity shop near here. If you would like any one or more of them before then, drop me an email. I ask only that you pay the cost of shipping to wherever you are in the world. In the unlikely event that more than two people want the same book I shall doll them out in the order the requests appear in my inbox. Go Wheatley....!
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Francis Edwin Murray: A Bookseller's Label
Sometime ago I wrote a long post here on Front Free Endpaper about the bookplate of the bookseller Francis Edwin Murray. It was the practice of nineteenth and twentieth century booksellers to stick often tiny labels inside the books they were selling. There are those who collect these labels although it's an admittedly very niche field. I was delighted though to find this in the back of an otherwise unremarkable book yesterday. If you look closely at Murray's bookplate in the previous post you will see that this image (of himself I believe) is also inset into that design.
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