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Song of a Boy by John Holland

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This is a lovely book which I have had before, but not for a while now, so I was delighted to acquire a copy again today. Song of a Boy by John Holland (Privately Printed, London: 1939) is a mother's tribute to her dead son. It is an anthology of John Holland's youthful poetry and painting, youthful because he died of Polio three years before this book was created at the age of eighteen. It is a beautifully crafted book printed on laid paper, with colour reproductions of John's paintings, each protected by a tissue guard with the title and size printed onto it and all bound in cream buckram with one of John's paintings rendered in gilt on the upper board and then slipcased. Truly a lovely thing. Also included are three likenesses of John (below). The pastel drawing is by P. Harland-Fisher made when the subject was 12 years old and the two photographs were taken with his dog at the age of 13 and on horseback at 17. John Holland was the only son of Phyllis and Rear-Admiral Lancelot Holland and, as you would expect and understand, the praise for John's youthful talent is high indeed in the short preface to the book. Nonetheless, in this instance, the high praise seems highly justified. Granted that these poems were written from the age of fourteen onwards and have moments of unevenness, it is clear that John stood every chance of being a formidable poet had he been given the chance to find his mature voice. Sadly, that was not to be and so we are left with just this beautiful book as a memory of his passing. Which is made all the more poignant by the opening lines of the strangely prescient opening poem from which the collection takes its title, 

"Song of a Boy"

What have I done or left behind,
God, if I were to die this day
What thing of beauty could men find
To show that I had walked my way?
No good behind me and no sin,
No pearl of beauty fine and rare,
No simple song, not anything
For which another man might care,
Oh, what would future humans say
If in my youth I died this day?

Yet I have lived and seen and known
And yet if I did die this hour
My strength and knowledge would have flown
Before the bud could burst to flower,
Before the flower could turn to seed
To grow upon the barren ground.
I have not done one single deed
For which I then would be renowned
Oh, lost would be my gifts and power
If I were now to die this hour.

Some day perhaps some one will find,
One of my songs, swift time has left behind
And in that song, that man perhaps may see
A little corner of what once was me.
Perhaps a petty wish, a sudden fear,
A stroke of ink wet with a lover's tear.
Some simple thing that once my spirit saw
And find through it that men have lived before.

Clearly his obituary notice in The Wykehamist can't be far wrong when it said, "His single-hearted devotion to beauty in nature, art and literature, and still more his courageous independence of mind, will long be remembered by the many friends who had watched the development of his rare and ardent personality."




PS. A small bibliographical note for any who might find this post because they are researching to catalogue their own copy. There is a lithographed facsimile of John's signature in orange ink on the first page of the book. This is NOT as some internet sellers have it, a book which is "signed by the author" - clearly so, you would think. Nor is this signature drawn by a crayon by another hand as others have it. The signature is the same in all copy and is a printed facsimile.

Janet and Anne Grahame Johnstone Illustrate Greeks and Trojans

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Janet and Anne Grahame Johnstone have featured here before, twin sisters who lived together with their mother for the whole of their lives and worked as a team (their brother said they were like one and a half people when they were together not two) as illustrators of children's book throughout the middle of the twentieth century. I have a fondness for the lissome and lightly muscled, slightly over-extended figures they created: and what better setting for such than in this copy of Tales of the Greeks and Trojans by Roger Lancelyn Green (Purnell, London: 1963). It appears to be a scarce title but the illustrations throughout are delicious and have that all-important quality of being completely 'of their period'.









Albert Wainwright Jacket for Castle in the Sun by Brearley

Found Photos: Sly Blue Speedos

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About fifteen years ago I was living in South East London. On a swelteringly hot day in the summer I was coming home from walking a friend's dog in the park when, at the top of a dusty cul-de-sac, I came across a suitcase which had burst open and, scattered all over the road, a load of photographs. It appeared, although why this should be the case I have no idea, that the suitcase had been thrown to the ground, perhaps from a moving car, and the photographs which had been inside had scattered. As you might imagine from this sample, they caught my eye, and I retrieved as many as I could from the ground and took them home. 

The photographs appear to be of an older couple and a young man, who may or may not be their son, on a boating holiday, around France. From the clothes that are worn in some of the other photos, and possibly also from the printed code on the back of some of them, I would guess they were taken in the early 1990s, that is, about eight to ten years before I found them. The young man in his sky-blue speedos may well be forty by now. At the time I did my civic duty and took them to the police station and handed them over as lost property but after a while, if unclaimed, you can claim them yourself: which I did.  I really thought I might be able to track down the original owners but there are simply no identifying features in the photos. Even the boat, of which there are numerous very clear shots, conspired not to allow it's name to be seen in any of the photographs.

This isn't a call for help to find the people in the photographs, but if you should ever happen by this blog and see your younger self staring out at you, please do get in touch.






Beautiful Glass

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I've recently been helping sort through and catalogue a huge collection of books on glass and every now and again as you flick the pages things leap out at you. This might be the first time that glass has featured on Front Free Endpaper but these are things that caught my eye today. From top to bottom we have a classically inspired vase by Czech designer, Jaroslav Horejc from 1925, then a boy blowing bubbles by Otto Hofner, another Czech from just before the First World War; the rest were all produced by the American Steuben company who worked with some really big names in the art world to provide images to be engraved on their glass Jacob Epstein, Don Wier, Pavel Tchelitchew and Henri Matisse are the ones I have chosen to show here.







Photo Collection Odds

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When I buy photos for my 'vintage swimwear' collection, I like them to be primarily of, you know, swimwear or to have some connection. But I'm not strict about this. Many are the photos that are in those albums that don't really qualify as swimwear photos at all but that I just happen to like. To my mind a photograph is often made more interesting by a bit if damage, or perhaps by being somewhat abstractly taken, of being out of focus a little. These are just a few of the non-vintage swimwear pics which have turned up on my doormat at the hands of the postman in the last week or so: they are all out of context and have nothing to elucidate them so they must stand as images in their own right.





Eike Von Stukenbrok

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Eike Von Stuckenbrok - The Beauty of a Dyslexic Mind from The Avant/Garde Diaries on Vimeo.

The Blessed Eike Von Stuckenbrok has featured a number of times on Front Free Endpaper and I make no apologies for that - who would want them! But every now and again some new imagery pops up although, in this instance I understand that it is 'new to me' so excuse me if you have seen these as I realise they have been around a while. The video above is a commercially sponsored one which is based around the Nietzsche quote: “Those who were seen dancing were thought to be insane by those who could not hear the music."

The photos below are from a couple of years ago at least and are by the Swedish-born, London-based photographer Bertil Nilsson, most of whose work is with dancers and circus performers.





Some More Vintage Swim Photos

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Three rather nice photos for the collection arrived this morning. Two of them even properly qualify for the vintage the swimwear theme. Having said that though, the team photo at the bottom is rather fun, even if the Northwest Champions do appear to be wearing shorts made from the silky material of their grannies' slips!




Last One From The Collection...

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... for a while.

This is the last in a series of photos for my collection that I bought recently and which have been dropping on the mat under the postman's hand over the course of the last week or so. It's been scanned very large so worth viewing at full size.

Jean Cocteau Drawings

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As a boy in my mid-teens I found myself in possession of an ex-library copy of Jean Cocteau's The White Book. I would like to think that by ex-library I mean a withdrawn surplus book but sadly I think I may have been a little less scrupulous in those days and its possible my fourteen year old fingers were light enough to remove it from the library's stock without giving them the option of deciding whether is was surplus. Both the texts and Cocteau's illustrations were among the most informative things a young man in search of his sexuality could have laid hands on and I kept that book for many years.

Consequently, I have something of a soft spot for Cocteau's drawings. His clearly distinctive style doesn't belie an extraordinary ability to draw. These I found recently in an old auction catalogue. The auction also included a copy of The White Book bound with a sketch and a finished original illustration for the book. But The White Book illustrations and a number of others with titles such as "Deux marins" and "Deux hommes nus" were clearly too much for the cataloguer and the bottommost image in this post shows how they were dealt with.






Sir Allen Lane: 50 Years in Publishing

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I adore book and publishing related ephemera. So imagine my delight this evening when these two fell from inside a book I was looking at.  This is the invitation and the menu from a dinner at the House of Commons to mark 50 years in publishing of Sir Allen Lane, the founder of Penguin Books and with the right to be thought of as one of the most important people in the story of the book in the Twentieth Century (he joined The Bodely Head in 1919 at the age of 17). And if the menu is anything to go by, I imagine a good time was had by all. Presumably these are rather scarce items too!


"My Four Year Old Could Have Done That..."

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... well probably not! I'm not a subscriber to this view of twentieth century art but I was struck today by the images in the King Penguin book, Children As Artists by R. R. Tomlinson. The title probably gives away that this is a book that takes children's art seriously and when you look at the images they found to illustrate the book it's amazing how so many of them wouldn't look in the least bit out of place on the walls of say, The Pallant Gallery in Chichester with it's collection of mid-Twentieth century art. There is a real sense of the neo-romantic in lots of these images, made all the more poignant by the fact that, as the book was published in 1947, much of the subject matter deals with a child's experience of war.I think if I posted these as if they were the work of a serious artist with no reference to their age, it's possible you would not think twice about it.




Clanland: Men in Kilts

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In the 1930s-1950s the train companies in the UK were great ones for issuing books. Perhaps the most famous, because of it's association with John Betjeman was Metroland but this kind of promotional book that had real content and decent artwork about a region was a country-wide phenomena and this has to be one of my favourites, Clanland was published by London, Midland and Scottish Hotels, part of the LMS rail network. In it the land of the Clans was 'painted and described by William Stewart' and the result are these fabulous demonstrations of the various clan tartans that range from the atmospheric, through the humorous to the high camp. With Scottish festivities coming up it seemed an appropriate time for men in kilts!








Lewis Carroll and Oscar Wilde: Two New Catalogues

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Two new catalogues at the same time! Each is a short list of books related to one particular author, that is, Lewis Carroll and Oscar Wilde. These are not lists of rare first editions and holograph letters but are the collection of an interested reader, enthusiast and amateur scholar and, as such, the lists contain loads of affordable and interesting material for the same kind of person. Over 150 items relating to Carroll and Alice and nearly 80 Wilde items. The catalogues are produced in digital form only and can be perused here:

http://www.callumjamesbooks.com/carroll.pdf

and

http://www.callumjamesbooks.com/wilde.pdf


Members of my mailing list had advanced warning of these catalogues and if you would like to be included in that elect band next time around just drop me an email to let me know.



A New Statue by Stuart Sandford

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A little while ago the British artist Stuart Sandford caused something of a stir with his life-sized statue Sebastian, using a professional male fashion model (called Sebastian) in his underwear 'shooting' himself with a camera rather than a bow there were obvious classical references as well as clearly contemporary commentary. At the end of last month Sandford announced another statue, again made with 3D scanning technology but this time fabricated in aluminium and then painted and as the artist himself tweeted, "this time naked". It is a private commission based on Frederick Leighton's 1880s statue, "The Sluggard"






Mystery Patterned Paper

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This piece of paper was used to create a makeshift dust jacket for a book, I guess sometime in the 1940s or 50s and it didn't separate from the book until 2014 so it did a pretty good job. But it's a bit of a mystery. It has the look of something designed by Enid Marx, but I'm pretty sure it's not. Obviously, it was originally a retailer's paper bag, and presumably they were called "Smiths". It's tempting to think of W. H. Smith but I'm sure it's not theirs as they have had quite consistent design elements in their logos for decades and nothing like this. So, a bit of a mystery. As ever, if anyone passing this way wants to have a guess or has solid intelligence then please do use either the comments below or the email contact link to let me know what you think.


Vintage Photos: A Selection

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None of these belong to me I'm afraid, although I did help the bidding along on a number of them. The first five photos are from the ebay shop of the wonderful Chuck who, God knows how, manages to present desirable vintage photos in some quantity almost every week. You will find his current items for sale here. The last scan is gratefully received from John, a reader of Front Free Endpaper. Rover Scouts were, I'm told, for young men aged 17-23 who wanted to continue in the organisation: apart from the horribly awkward name of the author, John was rather enjoying the acrobatic positions on the front cover! 






Fidus in Die Schönheit

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I recently acquired a run of the pre-ww1 volumes of a German magazine called DieSchönheit simply, 'Beauty'. It was a haven for Nacktkultur, the early twentieth century German movement which, in large degree was the beginning of naturism and a starting point also for numerous other twentieth century health and wellbeing movements. The magazine was produced by a publishing house of the same name whose other publications were all related to the burgeoning naturist movement. The magazine is packed full of the work of symbolist artists as illustrations and one that stands out among them is Fidus, that is, Hugo Höppener (1868–1948) who gained his nickname, meaning 'faithful' because he went to prison for a brief spell following a conviction for public nudity. He spent his early life in communes and his spiritual beliefs, he was a Theosophist, led him to eventually embrace Nazi ideology. Having said that, the Nazis didn't embrace him back and they seized and banned his work. These images all come from just one volume of DieSchönheit, giving an idea of how prolific he was. He was also illustrating for Jugend and for the early gay magazine Der Eigene at the time.






Male Nudes in Die Schonheit

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More from the early twentieth-century German magazine Die Schonheit which was an organ for the early naturist movement. One of the most noticeable features is the significant amount of male nudity included in the magazine. Throughout the naturist movement's lifetime and despite strenuous protestations that the nudity was nothing at all to do with sexual attractiveness, the female nude has always massively overshadowed the male in nudist photography. The female nude is more prevalent in Die Schonheit too, but the men run a closer second place than usual and here are some of the contents of just a couple of volumes. The genre is a strange one and I suppose it might best be described as a kind of Arcadian meets Beefcake. The photographs of Von Gloeden also grace the pages of the magazine but none that haven't been reproduced many times on the internet and elsewhere. The photographers credited here, from the top are: George Schmidt, B. M. Muller (two photos), Hanni Schwarz (three photos), M Schadewald, Marie Anna Freimut and Rudulf Zima.












Faber and Faber Covers: Thom Gunn & Stephen Spender

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There's nothing that would much more kindle the flame of my typographically inclined heart than a collection of mid-20th Century Faber & Faber poetry books. The fact that these are by two great gay poets is just an added bonus. I say 'gay' poets but, of course, their approach to man-on-man action in their lives and in their writing was very different. Thom Gunn was writing about gay subculture in poetry with confidence and clarity from the 1960s onwards. Spender, however, had a somewhat more complicated relationship with men. He had several romantic affairs with men, he was married, he spent time both denying and embracing the homosexual side of his character and even changed overtly homoerotic lines in his published poetry as they went into later editions to 'tone them down'. He was a complex man for sure but, like Gunn, much underrated now.

Now, before the eagle eyes among you shout foul, the Thom Gunn covers have appeared on Front Free Endpaper before along with one my favourite poems but him: but not as proper scans. The Stephen Spender, however, I have just recently added to my shelves and they seemed to go so well together I thought I would share all of them.










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