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Four Pieces by Albert Wainwright

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I am grateful again to reader of Front Free Endpaper and collector of Albert Wainwright artwork, Padraig for providing a small selection of images from his collection. I think, without particularly meaning to, the four images here pretty much cover the breadth of Wainwright's output. There is the beautiful, fully-worked image above of a boy and a cherry tree (I have seen numerous night-time scenes by Wainwright and they all have a somewhat numinous quality). The Sea Cadet below represents the huge output that he had in terms of quick sketches. The Red Riding Hood stands for all his many theatre and costume designs which were such a large part of his life. The collage is something a little different but by singling out an advert for Nivea body cream that appears to be addressed to Scouts, we might suspect maybe a sense of humour showing through. The collage is on the back of a sketch. The only significant part of his output not represented in this little group is the portrait work that he sustained himself with at Robin Hoods Bay near Whitby for some years.





The Quite Hard Book Quiz: A Reminder

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I hope you have all had a very happy time over the Christmas period...

Of course, there is New Year next and we are now in that odd little week where things are normal and yet, not quite back to normal! So if you are still looking for entertainment, can I respectfully remind you of The Quite Hard Book Quiz.


It's simple. Make a donation of any size to Firefly International, who work with young people from Bosnia, Palestine and Syria and in return you will be sent a link to a fascinating and "Quite Hard" quiz about books, designed not to be easily googleable. 100 questions. Enough to keep you going a couple of days in this lazy season.

As I write this we are just a few pounds off of £400.

When you've done all you can simply email me your answers and I shall mark them and a small prize awaits the cleverest of you!

Mostly, however, your few pounds will join with others and will help to provide education and help for young people who have had some pretty overwhelming disadvantages thus far.

There is still time... on January 1st I will replace the Quiz file with the answers...

Pink Narcissus and The Gates of Paradise

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Films and Filming magazine has been a regular visitor to this blog for a little while now since a pile of them landed on my desk before Christmas. This issue must be the only cinema magazine ever to make a cover feature of the gay classic, Pink Narcissus. The pages on which it is covered are scanned below.

Interestingly, as with more issues of this magazine there are things which make you want to follow them up. There is a double page spread (below) relating to the 1968 film, Gates of Paradise, made by Andrezej Wajda telling the story of the 13th century Children's Crusade. The magazine, in 1971 is lamenting that fact that despite this film having been made largely in Britain (although also on location in Yugoslavia) is had not by then actually been released in the UK. Given the frank subject matter and the interplay of adolescent sexuality of every stripe with religious sentiment, this is actually unsurprising. I do not know if it ever did receive a UK cinematic release but the wonder of the internet is that you can see it on Youtube dubbed in German and subtitled back into English should you wish. It is also one of the earliest appearances on film for Jenny Agutter.








Not Your Average School Photo

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This is a rather fun way of remembering your time at school even if it does seem a bit above and beyond the normal! A booklet of stiff card which has a photo of the school inside and out, a photo of the masters of the school and then, I think, a class photo for every year that you were at the school. This is Bury Junior Day Technical School in the 1920s









Pouring Wainwright

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Well, as they say, it never rains but it pours. It's been a good couple of months for work by Albert Wainwright and I was delighted the other day to be able to facilitate the sale of these four pieces by him and by permission of the new owner they are shared here.

 




Book Ephemera #2: Camps Library

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The second item in this series of bits and pieces from my huge collection of book and publishing related ephemera. This is a very sweet postcard, presumably distributed inside new books appealing for books to be sent to the troops at the front in World War 1, to stock the rather pleasingly named Camps Library.


Vintage Swimwear and other Vintage Images

Book Ephemera #3: Sir Allen Lane

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Just to get this series going a little, here's another of the items from my collection of book and publishing related ephemera hot on the heals of #2. This is the invitation card and menu for a dinner at the House of Commons to celebrate 50 years in publishing for Sir Allen Lane, co-founder of Penguin Books, sadly he died the next year.




Six Glass Constellations from the Mauretania

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These six panels were made from glass: sandblasted, acid etched and brilliant cut. They came from both the Mauretanias where they were part of the decorative scheme in the restaurant positioned on both sides of the room over the dumb waiter recesses. Clearly they represent constellations, with the inclusion of Pegasus showing they are indeed constellations rather than zodiacal items. All six panels were offered for sale at Christie's in the 1980s. The auction cataloguers were unable to pin down a designer but noted that the list of names of those responsible decorative schemes for the ships' public rooms included both Marion Dorn and Sigmund Pollitzer who might have had a role in creating these. I don't know where they went from the Christie's sale, nor if anyone since has been able to pin down their creator.






Two and a Bit by Vernon Stokes and Cynthia Harnett

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Two and a Bit by Vernon Stokes and Cynthia Harnett. A charming book this from 1948 tells the story of a brother and sister, who get on so well they might as well have been twins (like all siblings in the 1940s of course) and their little dog, the 'half' of the title. Judging by the initials, it seems that Vernon Stokes did most of the drawing but that they collaborated on some of it. 











WW2 Aerial Photographs

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I have always had a bit of a thing for unintentionally abstract vintage photographs and today I bought a large bundle of WW2 Aerial photographs taking during bombing raids over Nazi-occupied Europe in 1943 and 1944.  Many of them show the details of the landscape beneath the plane and in some cases even show bombs falling away from the plane. The ones which really caught my eye though are ones like these scanned here which, although possibly useless for the purposes of military intelligence, give a singular impression of what it must have been like to fly on those horrific missions. Dates and places are given on all the photos, even those like these in which you can't see the ground and, poignantly, the name and rank of the photographer is also given.









Paul Hoecker and the Secret Painting

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Paul Hoecker will perhaps be best known to readers of this blog for his portrait of Nino, the lover of Baron Adlesward-Fersen on Capri (bottom). But a friend of Front Free Endpaper has recently sent images of this beautiful and delicate portrait (above). Hoecker was, according to Wikipedia, no stranger to controversy and risque paintings: he had to flee to Italy after it was claimed he used a male prostitute as a model for a painting of the Blessed Virgin. It is unsurprising perhaps then that this little painting has a secret. Hang it as above during the day, but when you are entertaining of an evening among friends of understanding, turn it around and you have a rather more overt image (below) painted on the verso. My friend who sent the pictures and I would be keen to know if anyone can fill out any details of the story about the B.V.M. portrait. If you are able, please either comment on this post or email me using the link a the top right of the blog.



Mercury at the Met

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Anonymous 17th Century Spanish pen and ink of Mercury

Following on a link from the ever informative 'weekend links' of John Coulthart I discover that The Metropolitan Museum of Art in New York has just opened up images of some 375,000 pieces in its collection on a Creative Commons Zero license. This is brilliant news and paves the way for other large collections to get into the business of sharing their resources when in the public domain. So, of course, the first things one does on hearing such news is to high-tail it over and start exercising the search button. This, for me, usually means a series of thematic searches around my own interests. This is how I know that the museum seems to have a remarkably strong collection of images of the god Mercury, who is a particular favourite of mine. So here, by way of advertising this amazing new resource are just a few of those depictions.

Wenceslaus Hollar, 1654, Illustration to 'The Works of Virgil: Containing his Pastorals, Georgics and Aeneis.'"In a square in Carthage, Mercury approaching Aeneas from the air, warning him to leave the city" Etching




Andrea Schiavone. Etching c.1538



 Andrea Schiavone. Etching c.1538



 Mercury, the Roman God of Charity, 16th Century





Emmanuel Hannaux. Glazed stoneware. 'Head of Mercury', c.1895

Book Ephemera #4: Methuen Autumn 1925

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These publishers' lists are always a delight. Often found tucked inside books from the same year they refer to. This one consists of a folded sheet making four pages of the non-fiction list and then a single sheet, double-sided, with the fiction list. I am struck by how many of these I have never so much as heard of!

 





Kate Seredy Illustrates The Gunniwolf

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Ever had that strange experiences of looking something up on Google, only to discover all the top links direct you to a post you wrote on your own blog and had forgotten about? Well that's what these sumptuous illustrations have just prompted here at Callum James Heights. These are illustrations by Kate Seredy that just leapt from the pages of a slightly tatty copy of The Gunniwolf and Other Merry Tales (Harrap, London: 1937),  in a bookshop yesterday and I had to have. At the time of buying I didn't even clock the name of the illustrator (it was all a bit of a frenzy, there were just SO many good books in this shop!). So when I got home and Googled, I discover that I wrote this post about more of her work less than a year ago and had completely missed the connection! The Gunniwolf is illustrated in both colour, and black and white and unusually for me perhaps it is the coloured illustrations which appeal the most in this particular instance.





George Mallory Climbing Buff

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George Mallory, known to the world as part of the story of Everest and the man who coined the phrase "because it's there", has featured on Front Free Endpaper before, courtesy of his links with the Bloomsbury group and his eagerness to get his kit off at the slightest provocation. Duncan Grant took some haunting black and white photos of him naked, and painted him too. In 1999, seventy-five years after Mallory disappeared in an ill-fated attempt on Everest, his body was found in an amazing state of preservation still on the mountain. There were plenty of photos of the body published in the newspapers of the time and they are all available online if that's your thing, but I recently came across a book on Everest and tucked at the back were some pages of a newspaper from 1999 and a number of articles on Mallory and his fate including the two photos here. Whilst involved with the Bloomsbury Group, Mallory was an Adonis in his mid-twenties and the photo above from just after that period as an officer in WW1, with his wife, shows quite clearly how attractive a young man he was. But twenty years later, on Everest, it appears he was still just as keen to get his kit off. The photo below is from the same paper (imaginatively captioned, "Climbing Buff" of course), and shows a naked Mallory with a slightly sheepish-looking Howard Somervell and Arthur Wakefield. There is something quite compelling about the way this extraordinary man was so comfortable in his own body and that doesn't seemed to have changed throughout his life.


Joyce Mercer Illustrates The Magic Shop by H. G. Wells

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 Joyce Mercer (1896-1965) might be my new favourite illustrator at the moment. Here are her drawings for H. G. Wells's The Magic Shop in this 1930 edition of The Children's Play-Hour Book. Mercer studied at the Sheffield School of Art and at Chelsea School of Art and worked on books, postcards and as a cartoonist for a number of magazines. She trained herself to use both hands so that she could draw simultaneously with both and create symmetrical designs. She suffered some form of 'break' as a result of her experiences in WW1 with the WRVS in the East End of London and spent the rest of her life leading a solitary existence in Penrith in the Lake District. 

It's possible to say all kinds of things about her style, which was very distinctive whilst also being utterly 'of the period', however, the two words which come most readily to my mind are 'Joy' and, in no way disparagingly, 'Camp'. There is much more of her work in this children's book alone and so this may not be the last you see of her as a regular reader of Front Free Endpaper. In the meantime her illustrations for Hans Andersen's Tales can be seen here in The Garden of Unearthly Delights.









Crucifixus by Philip Core

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 Philip Core was an astonishing man and artist who has featured a couple of times already on this blog, including quite a long biographical post so I am just leaving these here by way of an 'update' really. This set of four silverpoints were offered for sale at auction by Chiswick Auctions during the week titled 'Crucifixus', they have labels on the back which the auction house interprets as meaning they were exhibited at the Royal Academy Summer Exhibition in 1985. This may be the case but I think the labels only indicate that they were entered for the exhibition, not that they were selected and hung.







Eclectic Bunch of Vintage Photos

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A somewhat eclectic mix of vintage photographs harvested from the internet and presented for your viewing delight.














The Reincarnation of Peter Proud

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Another bundle of Films and Filming, the 60s and 70s magazine that looked at cinema with a decidedly homoerotic eye arrived in my study today.  As ever they yield up interesting films that one has never heard of before and these three pages of the July 1975 issue highlight a film called "The Reincarnation of Peter Proud", a supernatural thriller in which the title character has recurring nightmares, including of watching himself being murdered by a woman in a boat; he is swimming naked in a lake at night and as he attempts to get back in the boat she kills him by whacking him round the head with the oar. This opening scene pans out into a search for the place where this and other things from his nightmares happens. The wiki page has a pretty good synopsis and, if you like the sound (or look) of it, despite the fairly unenthusiastic reviews, you can watch the whole thing at the moment on Youtube. A David Fincher remake was announced in 2009 but that seems quite a while ago now!



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